Embedding Academic Posts in Arts Organisations
Cultural Partner: Liverpool School of Art & Design at Liverpool John Moores University
HE Partner: Tate Liverpool, FACT & Liverpool Biennial
The establishment of Liverpool John Moores’s partnership model, involves embedding academic posts in arts organisations (Tate Liverpool, Liverpool Biennial and FACT). Whilst these posts are fully funded by LJMU, the post-holders spend half their time within an arts organization, so that the work becomes the context for their own practice-based research. The three collaborative appointments have lead existing and proposed research centres. The strategy of developing research centres reflects the increasing recognition that LSAD is innovating cultural partnerships in the city to work collaboratively to address acknowledged gaps in provision for artists and audiences in Liverpool. These posts also allow the assessment of practice-led research, particularly around impact.
Liverpool School of Art & Design and FACT:
This post was created in Oct 2012 and has had a significant impact on both FACT and LSAD. This post has made possible a fundamental change of approach for FACT and LSAD, which neither could have achieved alone. The partnership has co-designed a new form of research programme, which integrates the Arts Practice and Public engagement at FACT with Research and Art and Design expertise at LSAD. The Creativity and Digital Embodiment Centre and FACT’s own research centre (FACT LAB) have developed in parallel, with crucial involvement in both from the collaborative post as an active researcher. FACT has access to audiences and international quality Arts Practitioners but require new methodologies for research and engagement. LSAD has research and creative expertise but requires new routes to impact for their research, which are particularly challenging for the Arts and Humanities to demonstrate. Such collaborations with the Arts Sector have inherent impact in terms of effect on the Arts organisations, their audiences and wider society.
Benefit to FACT:
- Key contribution to FACT’s successful National Portfolio Organisation (NPO) submission to receive core funding from the Arts Council
- Authorship of a research agenda for FACT and LSAD
- The creation of FACT LAB, a research platform for artists and creative industries working with FACT and LSAD and feeding in to the programme of exhibitions, public events and academic communication. Mike Stubbs (CEO at FACT) characterises ‘multiple initiatives and peer to peer relationships’ which ‘led to industry relevant higher level research and practice for staff and students, continued employment for graduates and public platforms for important debate’. LSAD is, he believes, ‘an important plate in the tectonics of the city’s artistic and cultural renaissance’.
- Build your Own show in summer 2015 as a test bed for the new research culture for public engagement and a programme of research and related impact events
- Impact activity:
- Cloudmaker Project: £50,000 RCUK funded project for the Digital Economy ITAAU network (Information Technology as a Utility) to teach School Children Digital Design using the computer game Minecraft , 3D printing and Internet of things
- Co-design with teachers and students at the Studio School Liverpool and Isaac Newton School in Norwich
- FACT pop up exhibition attracting 6000 people in 6 days
- FACT Minecraft Server
- Internet of Things demonstration
- Immersive and Tangible interaction demonstration
- Typemotion – Technical collaborator including advice on surface table interaction and workshop, Funded by ACE and ZTK
- ACE HEI forum – Group to spread best practice in HEI/Art Organisation collaboration with Arts Council England
Benefit to LSAD:
- Creation of a research centre – Creativity and Digital Embodiment Centre (Mark Wright) – the research has focused on the potential of cultural exchange between informatics, the arts and creative industries and has pursued research with industry, cultural institutions and academia which explores the power of the digital to transform these areas through interdisciplinary arts practice, design and technological innovation
- Impact activity:
- The research for Artists’ City involved substantial engagement with public-facing organisations on Merseyside, such as FACT, who share a strategic aim of championing the value of cultural and creative capital in and from Liverpool
- Cloudmaker research was awarded £50,000 NESTA funding (2013) to develop 3D printing applications for children in collaboration with FACT
- Augmented Duality: Overlapping a Metaverse with the Real World 2008 Conference
- Haptically Extended Augmented Prototyping 2008 Conference
- Invited Talk and Demo at Digital Economy All hands event at Imperial College
- Lesions in the landscape Amnesia forum march
- Open Playground event – keynote speaker
- Cre-am European project
- Talk at Ludic museum event at Tate Liverpool
Benefit to LJMU:
- Enhanced profile as a civic university with active role in Liverpool as a cultural city
- Attraction of students to the MA Fine Art and MA History of Art programmes
- Enhanced international reputation as a cultural and educational institution
Benefit to Liverpool:
- Supporting established, overlooked and emerging practitioners – whether artists or curators – by involving internationally regarded figures who are rarely seen in the UK, alongside Liverpool-based artists and curators, the programme is an essential component to the future of Liverpool as a city
- The collaboration has been instrumental in mediating the impact of FACT on the cultural life of the city – inspiring people to engage with art by supporting and creating exhibitions that directly engage the local public; by organising and hosting events for the public discussion of contemporary art
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Liverpool School of Art & Design and Tate Liverpool:
This post was created in Oct 2012 and has had a significant impact on both the Tate and LSAD, with the co-design of a new research programme, which integrates the art practice and public engagement at Tate with exhibition research and art and design expertise at LSAD. 2012 saw the establishment of the Exhibition Research Centre (ERC) in LSAD with the collaborative post to manage its operations. The ERC is both an exhibition space and a research centre, supporting and generating research on exhibition practices, histories and theories. In parallel the Tate developed its own research centre, with crucial involvement from the collaborative post as an active researcher, around the idea of Curatorial Practice & Museology as recognition of the expertise in LSAD. Together LSAD and Tate have sustained a high level educational public programme of events, exhibitions and research dissemination.
Benefit to Tate:
- Contribution to the Tate Research Centre profile
- Contact with art students through access to Tate exhibitions and events, alongside teaching from the collaborative post integrated into the UG and PGT programmes
- Access to University-wide expertise and increased staffing capacity
- Audience development – focusing on University-connected publics (staff/students)
- Increased capacity for the realization of innovative discursive and research-led programming (funded via partnership)
Educational events:
- Thinking City – jointly developed by Liverpool Biennial, Tate Liverpool and LSAD, a programme of monthly Artist-led public salons, started in 2013, where emerging artists and the public can discuss the role art and culture can have in the future of the city and its broader social processes
- The Ludic Museum conference, Tate Liverpool, 31 January–1 February 2014
- 20 Sept 2014 – Adrian Henri Total Art Symposium
- Future City Forum – Sept 2014 – a collaborative project between Liverpool Biennial and Mathaf: Arab Museum of Modern Art, supported by Liverpool John Moores University and Tate Liverpool
- Planned Open access events for the public 2015 – monthly series of seminars/events taking place within Tate galleries, drawing from cross-University expertise, open to students as well as an interested public
Benefit to LSAD:
- Creation of the Exhibition Research Centre devoted to the study of exhibition histories and practices to act as a creative hub for a range of disciplines across the School to exhibit their work, learn curatorial practice and cross-pollinate concepts and ideas
- Increased research funding (such as, the exhibition, ABC in Sound: The Sound Poetry of Bob Cobbing, which received almost £20,000 from the Arts Council and was awarded a £2,000 grant from The Elephant Trust in 2013)
- The ERC Gallery hosts 5 external shows each year, as well as conferences and symposia and has run a lecture series, The Kunsthalle Effect bringing leading curators to Liverpool
- Through its exhibition and lecture programme, the ERC is fast establishing itself within a network of institutions similarly involved in exhibition research, in the UK and internationally
Impact activity:
- Photographs and Openings 1974-5 – chronicles the cutting-edge art scene in Belgium, Germany and Holland between 1974-5 and provides an invaluable record of a decisive moment in the development of conceptual art in Europe – January 2013
- Adrian Henri Collection – Dec 2014
- Please Come to the Show, curated by David Senior, Exhibition Research Centre, Liverpool, February–March 2014
- Hisachika Takahashi, curated by Yuki Okumura, Exhibition Research Centre, Liverpool, December 2013–January 2014
- ABC in Sound, curated by Rosie Cooper and William Cobbing, Exhibition Research Centre, Liverpool, October–November 2013
- Desire in Representation, curated by Peggy Buth, Exhibition Research Centre, Liverpool, July–September 2013
- BLACKOUT, curated by Patrick Henry and Imogen Stidworthy, Exhibition Research Centre, Liverpool, May–June 2013
- CS Leigh: In Camera, Exhibition Research Centre, Liverpool, March–May 2013
- Curator, Jacques Charlier: photographies de vernissages, Exhibition Research Centre, Liverpool, January–March 2013
- This Is Not A Museum; research network
- MRes and PhD student activity
- Strengthened expertise in relevant strategic research areas level (e.g. via connection to Tate Research Centre; Curatorial Practice & Museology)
- Professional links embedded within student experience supporting course recruitment
- Access to wider Tate networks of expertise/influence and Tate as a site to bring students and staff together across disciplines
Benefit to LJMU:
- Enhanced profile as a civic university with active role in Liverpool as a cultural city
- Attraction of students to the MA Fine Art and MA History of Art programmes
- Enhanced international reputation as a cultural and educational institution
- High level REF2008 contribution
Benefit to Liverpool:
- Supporting established, overlooked and emerging practitioners – whether artists or curators – by involving internationally regarded figures who are rarely seen in the UK, alongside Liverpool-based artists and curators, the programme is an essential component to the future of Liverpool as a city
- The collaboration has been instrumental in mediating the impact of Tate Liverpool on the cultural life of the city – inspiring people to engage with art by supporting and creating exhibitions that directly engage the local public; by organising and hosting events for the public discussion of contemporary art
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Liverpool School of Art & Design and Liverpool Biennial:
This post was created in Sept 2013 and collaboration between the Liverpool Biennial and LSA has stimulated public awareness of Biennial commissioned art and enlarged its presence in the social life of the city in two ways: by extending the opportunities for local communities to participate in public art projects in the region; and by improving the opportunities to talk about and share experiences of Biennial art.
The Liverpool Biennial, the largest international contemporary art festival in the UK, brings over 200 artists to work in Liverpool each biennial year. Although it caters for a wide audience of visitors to the City (attracting nearly 700,000 visitors), the Biennial is committed to encouraging residents to rediscover the city in newly commissioned artworks and projects presented in diverse locations. Researchers at LSAD and the Biennial recognise that creating opportunities for local audiences to talk about art is key to improving the reception of public art in the social and cultural life of the city. The research has sought to deepen audiences’ engagement with artists work and enhance their image and perceptions of contemporary art. This has been enabled, in practical terms, by improving access to and participation in cultural events, for example, by hosting collaborative events at University sites.
Benefit to Biennial:
- Creation of a research culture within the organisation with a programme of research and related impact events
- Collaborative events to engage with the public using research ideas as themes
- Provision of artists to exhibit in Biennial
- Provision of moderators for the Biennial exhibitions
Benefit to LSAD:
- The Biennial provides an integrated programme of education, commissions and exhibitions and offers a rich open space in which the people of Liverpool can discover and engage with art and art research as part of their everyday lives
- Contribution of the research activity to the Exhibition Research Centre
Impact activity:
- Since 2008 LSAD has curated international exhibitions with the Biennial and hosted three major exhibitions at its Copperas Hill building during the Liverpool Biennial 2012: ‘City States’, ‘Bloomberg New Contemporaries’ and ‘The Unexpected Guest’
- Peter Appleton (Reader in Creative Technology) created interactive sound and light installation, the Hope Street Project (Liverpool Biennial, 29/10/08-26/11/08) at Liverpool Metropolitan and Liverpool Anglican Cathedrals, linking the towers of Liverpool’s two cathedrals with two lasers: one visible during hours of darkness and the second an invisible beam carrying the voices of around 650 local participants, relayed between the two buildings
- Peter Appleton created Shang‐pool Arcadia for the Liverpool Biennial 2010 and invited the public to participate in the creation of a hybrid Anglo-Sino Arcadia and link via a variety of virtual encounters with people in Shanghai
- Patricia MacKinnon-Day (Reader in Environmental Art) collaborated with twelve regional women farmers, exploring their individual histories and relationship to their country environment, to create Private Views Made Public and Rural Voices (Biennial 2010) – resulting in a number of interventions in non-art venues, such as village halls and town halls and culminated in an event in an ancient barn on the farm of one of the women; it was also shown at the Biennial
- Future City Forum – Sept 2013 – a collaborative project between Liverpool Biennial and Mathaf: Arab Museum of Modern Art, supported by LJMU and Tate Liverpool
- Future City Expedition – Sept 2013 -a series of expeditions to explore place-making and alternative ways of looking at the city of Liverpool and its potential futures
- Thinking City, jointly developed by Liverpool Biennial, Tate Liverpool and LSAD, a programme of monthly Artist-led public salons, starting in 2013, where emerging artists and the public can discuss the role art and culture can have in the future of the city and its broader social processes
- Planned two-year MPhil Contemporary Art to provide a research profile 2015
- PhD student activity
Benefit to LJMU:
- Enhanced profile as a civic university with active role in Liverpool as a cultural city
- Attraction of students to the MPhil Contemporary Art and MA Fine Art and MA History of Art programmes
- Enhanced international reputation as a cultural and educational institution
Benefit to Liverpool:
- Researchers at LSAD have created community-responsive arts programmes designed to assist audiences to develop their appreciation and understanding of contemporary visual art – Thinking>Writing>Engaging – as part of Artists City
- Researchers at LSAD have been instrumental in mediating the impact of Biennial on the cultural life of the city – inspiring people to engage with art by supporting and creating site specific art works that directly engage the local public; by organising and hosting events for the public discussion of contemporary art; and by enhancing opportunities for talking and thinking about art events in the City
Prof Caroline Wilkinson, Director
c.m.wilkinson@ljmu.ac.uk
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